Eckbo-Designed Tucson Convention Center Landscape
Eckbo-Designed Tucson Convention Center Landscape
“Landscaping Accentuates ‘People Place’” was the headline in the local newspaper upon the grand opening of the Tucson Community Center in 1971. This landscape – composed of stepped terraces, undulating water courses, tree groves, and cool shallow pools – was created by Garrett Eckbo. Today, it faces destruction nearly 40 years after its completion by the very city that once commissioned it.
In the late 1960s and early 1970s downtown Tucson experienced a major transformation as part of the trend of urban renewal prevalent at that time. During that era, entire blocks of the historic downtown and many of its minority neighborhoods were destroyed in order to build large civic complexes and buildings. The Tucson Community Center (now called the Tucson Convention Center) was one such project. It included a grand opera hall, a smaller performance-based theater, and a main conference area with private show rooms, exposition halls, and an arena. Garrett Eckbo of Eckbo, Dean, Austin and Williams (later known as EDAW) was hired to develop a landscape that would tie the three buildings together with a central plaza. It is the second of three landscapes in the area designed by Eckbo that also included Viente de Agosto Park (1971), which eventually became a linked chain of public spaces.
The layout of the site consists of both formal and informal elements. It includes upper and lower grid-based tree groves which are linked by a series of stepped concrete terraces. Carved into the terraces are a variety of shallow pools with hand-selected boulders used to articulate their perimeters. The pools and terraces create a series of waterfalls, some of which flow smooth and sheet-like, while others surge like grand, river rapids. It is easy to see that Eckbo was inspired by the contrast of the surrounding Sonoran Desert with its pine tree covered Catalina mountains to the north. His design of boulders and waterfalls cascading down the “urban canyon” was likely inspired by the nearby natural setting of Sabino Canyon. It is probable that his design intended to bring the mountains down into the city center in order to offer city dwellers an “urban swimming hole” as there are clear steps that lead down into the water.
Eckbo – author of Landscape for Living and The Landscape We See – is most commonly known for his design of residential landscapes in Southern California in the first half of the 20th century. Over the course of his career, however, he became a landscape architect “of the people.” As noted by scholars Marc Treib and Dorothée Imbert in Garrett Eckbo: Modern Landscapes for Living, Eckbo “designed…in the public sphere, at times, for the lowest stratum of society” and that for him, landscape architecture was a “social art.” In his design for the Tucson Community Center, he aimed to bring the locals back into the area that the Center displaced through its creation. His intentions for the design of the Tucson Community Center landscape are reflected in a brochure released shortly after the grand opening:
His design of the plaza invites passers-by to participate in it. The various terraces provide a perfect setting for outdoor performance and informal gathering.
Over the years, the city of Tucson has struggled to manage Eckbo’s design. Since the beginning, the city has failed to develop a plan that truly utilizes the cascading water features. In a hot, dry environment and with few other options in downtown, the pools became an urban swimming refuge soon after the Community Center opened. Evidence of their appeal to Tucsonans was recorded as early as 1977 when the local paper reported that “…the sparkling ponds of water in the Tucson Community Center complex are an irresistible magnet for kids on hot summer days.”
Many changes to the original design have occurred over the years and at some point, the natural tones of the fountains (as specified by Eckbo) were replaced with a coat of turquoise paint. More recently, brightly colored metal chairs were bolted into the concrete in various locations in an effort to attract the attention of absent minded passers-by to the “hazardous” fountain edges.
As the work of a master, Ekbo’s design is potentially eligible for the National Register of Historic Places.The imminent threat to the design is the essential commitment to annual maintenance. However for the city of Tucson, which, like many cities, is suffering from the current economic downturn this is not a top priority. Today, a number of pools are in disrepair. Maintenance crews report that leaf debris and outdated technology make it hard to keep the waterworks functioning. The City has commissioned a local firm to come up with a complete redesign of the area. Last year, the City sought to fill in the fountains with sand as a temporary measure to mitigate liability. Although local supporters managed to convince the City to hold off making a decision about Eckbo’s landscape, the threat of its destruction remains.Meanwhile, the biggest misfortune of all has been the missed opportunity to embrace Eckbo’s meticulously designed plazas and fountains by creating appropriate programming to engage the greater community.
Let the Tucson City Council and City Manager know that you appreciate Eckbo’s design for the Tucson Community Center and that you would like to see it preserved and rehabilitated. Write letters of support (see example in sidebar) and mail to:
Tucson City Hall
255 West Alameda Street
Tucson, Arizona 85701